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Ebook Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened, by Allie Brosh

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Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened, by Allie Brosh


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Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened, by Allie Brosh

Amazon.com Review

An Amazon Best Book of the Month, November 2013: Who among us has not, in moments that sometimes bleed through years, even decades, felt weird, desperate, and absurd--wishing we could turn all the lamest, most shameful episodes in our lives into hilarious illustrated anecdotes? If youre one of the millions hanging on Allie Brosh's every blog post, you already know you'll love Hyperbole and a Half in book form, especially since half its hyperboles are new. If you're suspicious of books because you live in a world of the INTERNET FOREVER, this is where you make an exception. If you just stumbled across Brosh and can't yet grasp the allure of a Web comic illustrated by rudimentary MS Paint figures, believe the hype. Brosh has a genius for allowing us to channel her weird childhood and the fits and starts of her adulthood through the manic eyes, gaping mouths, and stick-like arms in the panels that masterfully advance her stories, and she delivers her relentless commentary with deadpan hilarity. Neurosis has rarely been so relatable and entertaining. --Mari Malcolm Guest Review of Hyperbole and a Half By Bill Gates Bill Gates is a technologist, business leader, and philanthropist. He grew up in Seattle, Washington, with an amazing and supportive family who encouraged his interest in computers at an early age. He dropped out of college to start Microsoft with his childhood friend Paul Allen. He married Melinda French in 1994 and they have three children. Today, Bill and Melinda Gates co-chair the charitable foundation bearing their names and are working together to give their wealth back to society. This review originally appeared on Bill’s personal blog the Gates Notes on May 19th, 2015. Some of the books I’ve recommended as summer reads really aren’t. They’re long nonfiction books that might look a little out of place beside the pool or on the beach. But Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things that Happened , by Allie Brosh, is an honest-to-goodness summer read. You will rip through it in three hours, tops. But you’ll wish it went on longer, because it’s funny and smart as hell. I must have interrupted Melinda a dozen times to read to her passages that made me laugh out loud. The book consists of brief vignettes and comic (in both senses of the word) drawings about Brosh’s young life (she’s in her late 20s). It’s based on her wildly popular website. Brosh has quietly earned a big following even though, as her official bio puts it, she “lives as a recluse in her bedroom in Bend, Oregon.” The adventures she recounts are mostly inside her head, where we hear and see the kind of inner thoughts most of us are too timid to let out in public. Despite her book’s title, Brosh’s stories feel incredibly—and sometimes brutally—real. I don’t mean to suggest that giving an outlet to our often-despicable me is a novel form of humor, but she is really good at it. Her timing and tone are consistently spot on. And so is her artwork. I’m amazed at how expressive and effective her intentionally crude drawings are. Some of Brosh’s stories are funny without being particularly meaningful, such as her tales about her two dogs and their humorously illogical inner thoughts. Here’s a typical snippet: “To the simple dog, throwing up was like some magical power that she never knew she possessed—the ability to create infinite food. I was less excited about the discovery because it turned my dog into a horrible, vomit-making perpetual-motion machine.” And here’s a typical illustration: But her best stuff is the deep stuff, especially the chapters about her battles with severe depression. There is a lot of self-revelation here but no self-pity. She brings the same wit to this subject as she does to her stories about her dogs—even if it makes the reader more likely to tear up than crack up. Here’s a typical snippet that follows a riff about feeling suicidal and not quite knowing how to let loved ones know about these feelings: I suspect that anyone who has experienced depression would get a lot out of reading this book. The mental illness she describes is profoundly isolating: “When you have to spend every social interaction consciously manipulating your face into shapes that are only approximately the right ones, alienating people is inevitable.” It must be empowering for those who have struggled with depression to read this book, see themselves, and know they’re far from alone. It might be even more valuable for those who have a friend, colleague, or family member who has experienced depression. Hyperbole and a Half gave me a new appreciation for what a depressed person is feeling and not feeling, and what’s helpful and not helpful. Here’s a good example: “People want to help. So they try harder to make you feel hopeful…. You explain it again, hoping they’ll try a less hope-centric approach, but re-explaining your total inability to experience joy inevitably sounds kind of negative, like maybe you WANT to be depressed. So the positivity starts coming out in a spray—a giant, desperate happiness sprinkler pointed directly at your face.” I get why Brosh has become so popular. While she self-deprecatingly depicts herself in words and art as an odd outsider, we can all relate to her struggles. Rather than laughing at her, you laugh with her. It is no hyperbole to say I love her approach—looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian.

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Review

"I must have interrupted Melinda a dozen times to read to her passages that made me laugh out loud. . . . The adventures she recounts are mostly inside her head, where we hear and see the kind of inner thoughts most of us are too timid to let out in public. Despite her book’s title, Brosh’s stories feel incredibly—and sometimes brutally—real. . . . It is no hyperbole to say I love her approach—looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian." (Bill Gates)"Imagine if David Sedaris could draw . . . Enchanting." (People (4 stars, People Pick))Winner of the Goodreads Choice Award for Best Humor Book of the Year An NPR Best Book of the Year A Library Journal Best Book of the Year, Memoirs (.)“I would gladly pay to sit in a room full of people reading this book, merely to share the laughter.” (Philadelphia Inquirer)"My wife, who rarely reads a book published after 1910 and who is difficult to make laugh, wept with pleasure while reading these comic illustrated essays from Ms. Brosh, who runs a popular web comic and blog. I had to find out what the fuss was about. The subjects run from light (cakes, dogs) to dark (the author’s own severe depression), and they foreground offbeat feeling and real intellect. Ms. Brosh’s inquisitive mind won me over, too.” (Dwight Garner New York Times)“In a culture that encourages people to carry mental illness as a secret burden . . . Brosh's bracing honesty is a gift.” (Chicago Tribune)“Brosh captures humanity at its simultaneous worst and best with a razor wit that allows us to laugh at even our darkest of selves.” (The Advocate (Baton Rouge))"Will make you laugh until you sob, even when Brosh describes her struggle with depression." (Entertainment Weekly)"This is the BOOK OF THE YEAR." (Elizabeth Gilbert)“One of the best things I’ve ever read in my life.” (Marc Maron)

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Product details

Paperback: 369 pages

Publisher: Touchstone Books (2013)

Language: English

ISBN-10: 1451666179

ISBN-13: 978-1451666175

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

3,760 customer reviews

Amazon Best Sellers Rank:

#12,830 in Books (See Top 100 in Books)

I bought this for a friend who struggles with depression and she had been considering buying it, but hadn't. She's really enjoyed it. If you can't afford it, seek out your library, which may have a copy!

Some of you may be familiar with Allie Brosh's much beloved website, also called "Hyperbole & a Half." It featured lots of amazing tales and amazing artwork. She specializes in pants-wettingly funny essays, accompanied by her equally hilarious semi-primitive artwork — and the occasional extremely sad story, which often ends up being fairly funny, too. She has a great grasp of the way comedy can be found in tragedy.She wrote this book, some of it taken from her website, and some of it all new material. There are a few old favorites, like “The God of Cake” and “The Party,” and there are quite a few that are completely new — the full story of her hopelessly crazy Helper Dog, Allie’s letters from (and to) her 10-year-old self, getting lost in the woods with her mom and sister, and plenty more.It’s not all silly stuff, though. The book also includes her lengthy essay on what it’s like to be depressed, as well as her thoughts on perception and identity — and the nature of thought itself. But even then, Allie has a strong sense of the way life’s most serious moments still end up being surreal and unexpected — so they’re still pretty silly. This is in no way a bad thing.Let’s talk about the art first. It looks really goofy and crude. No human looks like that, with the stick arms and cone hair. But it ain’t crude at all. Yeah, it’s designed to look like it was done in MSPaint — but Brosh spends a lot of time tweaking the art to make sure it looks right. And it’s got a lot of sophistication hidden behind the primitive exterior — there’s a lot of emotion and unexpected detail. If she’s making the art in MSPaint — well, she’s really good at making art in MSPaint, ain’t she?The book is very funny. You will find stories in here that will make you laugh ’til you need new underwear. But her essays on depression are some of the most heart-breaking things you’ll ever read — and also the most insightful and educational. I feel like I have a much greater understanding of what an absolute hell it must be to go through that, and I know now not to say a lot of the things I used to say. Her “dead fish” analogy should be required reading for anyone who has friends or family who are depressed.If you love amazing humor and goofball cartoons, you should get this book. If you like a little seriousness with your comedy, you should get this book.

Hyperbole and a Half / B00BSB2AE4If I could purchase this book for literally every human I know, I would. The book is funny, sure, and it's easy enough to see that from the free material on Allie's website. Her drawing style is awesome, her storytelling is hilarious, and her sense of humanity is funny and poignant all at once. There's funny material and stories in here that you haven't seen before and that alone is worth the cost of admission.But what is really special about this book is the raw humanity Allie brings to the page. She talks beautifully about depression in a way that resonates deeply with me. The essays about how she beats herself up for not being a truly good, pure, perfectly-motivated altruistic person hit so close to home for me. She talks about feeling like a terrible human being because she's motivated by selfish reasons like "don't do a bad thing because it will make me a bad person" or "be nice because I want people to like me" or "follow this convention to avoid social consequences". I know those feels--the feeling that everyone else is good but you're a dirty faker because you're doing "good" things for the "wrong" reasons. Reading Allie's words made me feel less alone and a little less hard on myself.This book is good and you will laugh and probably cry.~ Ana Mardoll

1. People who own dogs.2. People who suffer from or who have loved ones who suffer from depression.3. People who want to know what it feels like to have beverages snarfed through their nose(s?).4. People with a sense of humor.5. People who know how to order things on amazon.6. People who are familiar with Allie's site and thus already know some of the content and are ok with that because it still makes them snarf beverages through their nose(s?)7. People who did not preorder this book and so are not now reading it like I am.8. People who are unfamiliar with the behaivior of geese and/or enjoy cake.9. People who like books that are color coded instead of numbered to delineate beginnings and endings.10. People who are not dead.

I am an ugly laugher. This is something I didn't know about myself until I read this book. This is the type of book that's not merely amusing or funny in the way of smart satire. No, Brosh's brand of humorous life observation, coupled with her rough but charming illustrations, will have you clutching your side, desperate for air. My husband banned me from reading this book at night because my hysterics woke him up, and I got a lecture about REM cycles and proper adult bedtimes (incidentally, my husband is a fully-functioning grown up and not the target audience for this book). Despite the author's questionable life choice to be a dog person, I felt like I could relate to everything in this book. And I also found it empowering in a way. Being a superstar adult is not for everyone, and whether or not it was the author's intentions, I feel a little better about it after reading this book.

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Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened, by Allie Brosh PDF
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  • Published on: 2014-04-09
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Pedagogical Documentation in Early Childhood: Sharing Children’s Learning and Teachers' ThinkingBy Susan Stacey

Pedagogical Documentation in Early Childhood is an inspiring step-by-step guide to documenting children's ideas, questions, play, and learning in a way that enhances teachers' thinking and understanding at the same time. This book supports teachers on their journey to tell the stories behind children's work and inquiry.


  • Sales Rank: #143917 in Books
  • Brand: Stacey, Susan
  • Published on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .40" h x 8.00" w x 9.90" l, .0 pounds
  • Binding: Paperback
  • 128 pages

Review

“Stacey reminds us that the value of documentation goes beyond an attractive display on the wall. She says, ‘Documentation at its best leads to reflection and dialogue.’ This book goes on to offer a number of valuable and practical examples of how to focus the work of pedagogical documentation.

If we are to put the idea of teacher research into real life, pedagogical documentation is a cornerstone. Stacey’s very practical book brings the practice to life.”—Margie Carter, co-author of Designs of Living and Learning

“Susan Stacey’s new book takes the reader on a journey of the transformational possibilities of pedagogical documentation. Susan interweaves the theory and practice beautifully and the photographs of the projects and documentation give readers real-life examples to inspire their journey. It takes time, but Pedagogical Documentation in Early Childhood is an excellent first stop on your journey of transformation.”—Dr. Diane Kashin, RECE, Professor, Ryerson University

"How do we know if they're learning? How do we know if we're teaching? By documenting what happens and reflecting on it together.
What's documentation? It's saving and sharing our stories to create mutual learning experiences for teachers and children and parents - in the author's words,"bringing families and other interested readers into the complex circle of thinking that is teaching." And the children join the construction team as they think further about their experience in response to genuine questions.
Want to learn how it's done? Open this book and begin your discovery of everything you ever wanted to know about authentic assessment."—Elizabeth Jones Faculty emerita, Pacific Oaks College, Author, Emergent Curriculum; The Play's the Thing

"Three cheers to Susan for writing this book! Its timing is perfect – teachers are more ready than ever to use pedagogical documentation effectively to make children’s thinking and work visible. Susan offers exciting, practical suggestions for using familiar and new technological tools to create documentation that communicates with families and children.
Susan reminds us that documentation is more useful than as a display of interesting events in a classroom. With pedagogical documentation a teacher pays close attention to children’s thinking during the process of inquiry into a topic. A teacher listens and responds as children question, explore, interact, pose theories, and investigate.
Susan shows us how documentation is an act of reciprocity wherein a teacher offers her response to children’s work through photos, narration, and speculation. Documentation is collaboration—when shared with a child it too becomes an object of study. Documentation is pedagogical practice that helps teachers reach beyond their certainties to consider what may be possible. We are sensitized to what is our edge and are helped to vision what may be.
Pedagogical documentation honors and respects children’s thinking and capacities."—Gretchen Reynolds, Early Childhood Education, Algonquin College

Pedagogical Documentation in Early Childhood defines the process of pedagogical documentation and asks what a classroom experience says about a child’s ideas and learning process, providing keys to creating the kinds of documentation that help foster and explain children’s explorations. References and research blends with an overview that teaches how documentation is applied, analyzed, and how it contributes to both a child’s experience and family and educator discussions. Photos and diagrams accompany text instructions to provide specific insights on such documentation, offering early childhood educators all the tools to put such documentation into play and make it work for everyone, making for a top pick for any early childhood reference library.—California Bookwatch, The Education Shelf: September 2015

About the Author
Susan Stacey: Susan Stacy has worked in the early childhood education field for over 35 years as an early childhood educator, director, practicum advisor, and instructor in both Canada and the US. She is a frequent speaker across North America, focusing on topics related to emergent curriculum, reflective and responsive practices, inquiry, documentation, and the role of the arts in early education. She also teaches adult students at the Nova Scotia College of Early Childhood Education, and she belongs to several organizations such as the National Association for the Education of Young Children (NAEYC) and the Canadian Childcare Federation. She presents at NAEYC conferences and has been published in Young Children, Young Exceptional Children, and Exchange. Susan holds a master's degree from Pacific Oaks College in Pasadena, CA.




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